You’re not what Sarah Palin was talking about. You take on nothing in an aggressive, against-the-grain way. You’re a cross between the white horse that a hero in an old Western movie would ride in on and a poor artist’s rendering of No Heart from the Care Bears. Perhaps you were supposed to be a new-aged Two Face to bridge the gap between Tommy Lee Jones’ interpretation and the gem that Aaron Eckhart put together
Whatever the concept behind your “Black and White” tribute to Michael Jackson, nothing can explain the giant blue conch that you’re listening into. This isn’t Lord of the Flies and you’re not fair-haired Ralph. You’re more like an emo version of Piggy, whose weight has gotten so out of control that it’s starting to test the sturdiness of the block letters below you. They’re bending. You’re weighing them down.
But you don’t care because nobody understands you.
You are Emo Horse.
You sit in your room with your skinny jeans and your ironically conforming black t-shirt. You listen to every Morrissey and Hawthorne Heights album that has ever been burned to disc but nothing stops the pain. You paint your nails black to be unique but when you walk into any mall in America and see dozens of tragic teenagers with the same Clinique black polish above their cuticles, you find yourself wanting to call them posers because only you know true pain.
Dad doesn’t understand you. Is it because you don’t dig Bob Seger or know the difference between a middle relief pitcher and a pain reliever? No. You want to know why he doesn’t understand you? BECAUSE YOU WEAR GUYLINER, YOU FREAK. Snap out of this emo phase of your life, grow a pair and realize that your upper-middle class existence isn’t so bad.
You’re a hideous logo, but that doesn’t mean you have to possess greasy hair swept across your forehead. Pick your head up and quit relishing in your own sorrow. You would embarrass Derek Harper, Rolando Blackman and the old Mavericks “M” that used to sport a cowboy hat.
Emo Horse can’t wait to move out of his parents house and leave the country for Berlin, where, when this all gets sorted out, he and Dirk can get an apartment together.
Since I’m sort of a dick I forgot to mention that the hiatus round these parts was due to my vacation last week rather than the fact that I have gone into mourning over the death of Michael Jackson. But unlike me, Ron Artest was pretty shaken up by the whole thing and, fortunately for us, recorded a song about his feelings on the matter. It’s deep. And classic. Classically deep. (It’s the YouTube at the bottom.)
Best line: “Even though I’m always strapped, I’m putting down my mack for Mike Jack — he’s so wavy.”
Also, on a non-Michael Jack note, Shoals wrote a pretty good piece on the existential tip about Tru Warier and Kobe playing together. It’s worth your time.
UPDATE: God I love this guy.
Ron is now taking his Michael Jackson love to the subsequent level by wearing jersey number 37 in Los Angeles to honor the amount of weeks Thriller was #1 on the charts. Splendid. And just so Dwyer and any other uninitiateds know, Ron previously wore the numbers 93 and 96 in Sacto and HTown because they are numerical depictions of “qB” and “qb,”which is an abbreviation for Queensbridge where he grew up.
On the Rockets website they already got you wearing No. 96. Is that going to be your new number?
Yeah. 96 means “QB.” The “9” is the “q” and the “6” is the “b.”
Do all of your previous numbers hold significance for you?
The 93 was “QB” also but it was a lowercase “q” and an uppercase “B.” But now it’s better because it’s two lowercase letters. Lowercase and uppercase don’t really make sense. I always tell my son to begin with the uppercase and end with the lowercase. 15 is my real number. It’s my father’s high school number backwards. 23 I wear for Michael Jordan. 91 I wore for Dennis Rodman and 93 is “qB” and 96 is “qb.”
The more you know.
Throw in the Thriller thing and Ron Artest has now officially spent more time thinking about jersey numbers than any other living NBA player. And Bruce Bowen.
Since I’m sort of a dick I forgot to mention that the hiatus round these parts was due to my vacation last week rather than the fact that I have gone into mourning over the death of Michael Jackson. But unlike me, Ron Artest was pretty shaken up by the whole thing and, fortunately for us, recorded a song about his feelings on the matter. It’s deep. And classic. Classically deep.
Best line: “Even though I’m always strapped, I’m putting down my mack for Mike Jack — he’s so wavy.”
Oh, LeBron, why must you torture your Cleveland fans so?
The Young King is sure to re-elicit the LeBron-to-Brooklyn/NJ scuttlebutt as he’s back hanging/saluting with Young Hov again, this time in Jay-Z’s just-released video for his much-needed and hopefully much-effective track “D.O.A. (Death of Auto-Tune).” Bonus points go to S. Dot for playing cards with Harvey Keitel in a restaurant kitchen back-room and dropping the line “I know we facing a recession but the music yall making gonna make it the Great Depression.” That right there pretty much sums up the past eighteen months of mainstream rap.
Obviously, people are going to take this comparison the wrong way, but this pairing is pretty much the 2009 cultural equivalent of the MJ/MJ collabo “Jam,” which we were just talking about the other day. Although, let’s hope Jay has a better jumper than Michael Jackson did. (Props to @HarleyBlock for the find.)
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