Matt Moore of Hardwood Paroxysm, NBA FanHouse and ProBasketballTalk stops by to talk about his time in Dallas for All-Star Weekend, debate the Jazz as contenders, break down the Mavs trade and answer the dreaded Ten Questions.
We ran long on this one so I didn’t bother with any major intro to explain the long lay-off since Episode 5. Apologies. Tech difficulties and other projects. But we’re back now and you can expect a new episode roughly once a week. Maybe I’ll even bang out a bunch over the next few weeks out of guilt. We’ll see how ambitious I get.
After dropping that Luc Longley shrimp-naming story in your laps this morning, I now feel somewhat vindicated … but guilt remains about the lack of activity on BTPH last week. I swear it wasn’t just lethargy though. Been busy other places.
Here’s the proof and, thus, some other stuff you can read.
The Pacers had two of the worst offensive performances that any team will have this season on Friday and Saturday evenings. Recount the horror against the Jazz on Friday and against the Clippers on Saturday.
My thoughts on the Sacramento Kings over at Cowbell Kingdom for Zach Harper and my more specific thoughts on Sacto’s future Rookie of the Year Tyreke Evans. I really dig these Kings, mostly because of Tyreke and their other rookie Omri Casspi, who is the first NBA player from Isreal, a guy who I will be writing something more in depth about on here at BTPH rather soon and a guy who I categorized in that CK piece as “a Santa sack full of never-ending awesome.”
I guess that’s it, other than a bunch of other Pacers stuff you can’t possibly be interested in. Might be slow around here for a couple more days, but I will have something more on Casspi eventually and something on Donald Sterling, which is already long overdue.
It’s weird that I like Omri Casspi so much cause, normally, I hate Jews.
I’m not going to lie to you. I know that I’m not supposed to scare you, but I feel like you’re old enough to deal with the truth.
The Memphis Grizzlies’ logo would straight up fucking murder you. No shit.
Look, I know what you’re saying.
“But Mike Conley doesn’t even scare people on Halo!” “Hasheem Thabeet’s coordination make Donkey Kong look like a ninja warrior!” “It’s blue, for Chrissakes! The last blue bear was a Care Bear!”
I get that. I hear you.
“There aren’t even any grizzlies in Memphis!”
Yeah, well there’s no music in Utah, but the Jazz play on. And this logo will fucking kill you.
It’s not just the sheer size of the head. Though it’s a gigantic melon. I mean seriously, it’s like sputnik. Spherical but quite pointy in some places. But the head has itself a force field. You think that weak-ass zombie-buck has a force field? No. It doesn’t. But what you don’t know is the force field isn’t to keep you out. It’s to keep the Grizzly in. It’s a self-restraint, built to pacify this demon that has been sent to rend you from inside out, like a Joe Crawford foul call or the latest album from Pearl Jam. And you will know its wrath.
You know why you will know its wrath? Because of the evil eye. Seriously. Check out that expression. That’s no screaming wussy tantrum-throwing Bear. This bear isn’t surprised to see you. It’s just ready to kill you. And leave you for dead. Possibly take a dump on you before wandering off to go have sex with some farm equipment. And that’s if you get the good side.
What’s the good side? The good side is one that isn’t obscured by shadow like the dark side of the moon. You know what lives on the dark side of the moon? No, not terrific albums from 60s rock legends. Hell. That’s what. There’s even a movie.
So before you go running around thinking you can go dancing with that bear, sweetheart, you better check yourself before you disembowel and get shredded by the icy cold claws of wrath yourself. This bear lives in Memphis, and its sweet blues rhythms will be the last thing you hear before you’re swallowed alive.
Seriously, dude. Farm equipment.
Matt Moore is an all-around nice guy who when not reading to kids who can’t read good or helping old ladies with their groceries writes about the NBA at Hardwood Paroxysm, NBA FanHouse and BusterSports.
And on the seventh day, Smoky the Bear said “You know what? Fuck it. Burn that shit down.”
It pains me to rank the Jazz logo this high. Nothing personal, Mormons. It’s just that the current design is both highly derivative and worse than the old one — two factors that have greatly contributed to the low rankings given to other logos.
As most people know, a team named after what could be considered the defining African-American pop culture contribution of the 20th century did not originate in Salt Lake City. No, the Jazz franchise began in New Orleans and relocated to Utah in 1979 after financial trouble, arena complications and fan disinterest made staying untenable.
So Utah inherited an inappropriate team name, logo and colors — purple, green and gold being emblematic of Mardi Gras. But this actually worked out swimmingly for all involved as, according to legend, it was watching the images of the 7′4″, heavenly* bearded Jazz center, Mark Eaton, block shots like a madmen that inspired known basketball aficionado and singer/songwriter Prince to record Purple Rain.
Despite this, Utah execs eventually felt that the franchise needed a reboot. In 1996, the team decided to abandon its iconic music note image and, instead, brazenly rip off the exact concept used by the only other NBA team that resides in the Rocky Mountains. As previously noted, the Denver Nuggets’ logo is far from perfect, but it is a solid option for a team named after gold nuggets and located in the state of Colorado. Gold was indeed mined heavily throughout the Rockies and, as evidenced by its array of world-renowned ski resorts and its capital city being nicknamed The Mile High City, the state of Colorado is the state that most Americans most associate with America’s most iconic mountain chain. So when the Nuggets adopted a redesigned mountain/giant block letter logo in 1993, it was at least conceptually logical, if not aesthetically beautiful.
Three years later in 1996, Jazz execs decided that they needed to similarly revamp their franchise. With three future Hall of Famers — John Stockton, Karl Malone and Jerry Sloan — the Jazz were as good as they had ever been on the court. Still, something else was needed. They needed a new logo. Not a new name though. Because why change that? It was too perfect. Jazz music was not native to Utah, sure, but ever since the Jazz franchise had moved to Utah, bebop, swing, fusion and the avant-garde movement had become an inextricable hallmark of Salt Lake culture.
Wait? What’s that you say? Dizzy, Bird, Miles, Cannonball and Trane hadn’t become beloved, adopted sons throughout Utah? Oh. News to me. Well, then, I guess I have no idea why Utah’s execs didn’t just change the team name and then base their new logo on whatever noun they chose. And you’re also telling me this was the best new logo they could come up with? Hmmm. That’s actually somehow even harder to believe. That thing looks like a color-by-number Girl Scout badge.
Fortunately, seven years later, Utah again realized it was time for change. Have no fear; they would continue to use an eerily similar mountain/giant block letter logo to that of their Rocky Mountain rivals, but, additionally, they would get rid of several unnecessary colors and lose the patently absurd motion lines/gradient on the lettering.
The result is their new, simple and attractive four-color logo, which, if you replaced the word “Jazz” with the word “Utah,” would make a really nice souvenir refrigerator magnet available for $3.99 in the Deer Valley Ski Resort Gift Shop.
The perfect stocking stuffer for Grandma.
* This was intended to appear as “heavily bearded,” but a typo resulted in “heavenly bearded.” Regardless of whether it was a Freudian slip or a Ouija board-type intervention by some bearded Nordic god, I’m not tempting fate and changing it. Those dudes have lightning.
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